000 | 02893cam a2200433 i 4500 | ||
---|---|---|---|
999 |
_c114548 _d114548 |
||
001 | 18355063 | ||
005 | 20210629093303.0 | ||
008 | 210629b ||||| |||| 00| 0 eng d | ||
010 | _a 2014042296 | ||
020 | _a9780520283671 (cloth : alk. paper) | ||
020 | _a0520283678 (cloth : alk. paper) | ||
040 | _beng | ||
042 | _apcc | ||
043 | _aa-ii--- | ||
050 | 0 | 0 |
_aN7304 _b.K49 2015 |
082 | 0 | 0 |
_a306.0954 _223 _bKHU |
100 | 1 |
_aKhullar, Sonal, _d1978- |
|
245 | 1 | 0 |
_aWorldly affiliations : _bartistic practice, national identity, and modernism in India, 1930-1990 / _cSonal Khullar. |
264 | 1 |
_aOakland, California : _bUniversity of California Press, _c[2015] |
|
264 | 4 | _c©2015 | |
300 |
_axiii, 352 pages ; _c26 cm |
||
336 |
_atext _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
||
338 |
_avolume _2rdacarrier |
||
504 | _aIncludes bibliographical references (pages 299-319) and index. | ||
505 | 0 | _aAffiliation, worldliness, and modernism in India -- An art of the soil: Amrita Sher-Gil (1913-1941) -- Man and Mahabharata: Maqbool Fida Husain (1915-2011) -- The new primitives: K. G. Subramanyan (1924-) -- Paan shop for people: Bhupen Khakhar (1934-2003) -- Globalization, the new-media nineties, and the persistence of modernism. | |
509 | _aZSU | ||
520 | _a"Drawing on Edward Said's notion of 'affiliation' as a critical and cultural imperative against empire and nation-state, Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists--Amrita Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan, and Bhupen Khakhar--situating their careers within national and global histories of modernism and modernity. Through a close analysis of original artwork, archival materials, artists' writing, and period criticism, Khullar provides a vivid historical account of the state and stakes of artistic practice in India from the late colonial through postcolonial periods. She discusses the shifting terms of Indian artists' engagement with the West--an urgent yet fraught project in the wake of British colonialism--and to a lesser extent with African and Latin American cultural movements such as Négritude and Mexican muralism"--Provided by publisher. | ||
600 | 1 | 0 |
_aSher-Gil, Amrita, _d1913-1941 _xCriticism and interpretation. |
600 | 1 | 0 |
_aHusain, Maqbul Fida _xCriticism and interpretation. |
600 | 1 | 0 |
_aSubramanyan, K. G., _d1924-2016 _xCriticism and interpretation. |
600 | 1 | 0 |
_aKhakhar, Bhupen, _d1934-2003 _xCriticism and interpretation. |
650 | 0 |
_aArt, Indic _y20th century. |
|
650 | 0 |
_aArt, Modern _y20th century. |
|
650 | 0 |
_aModernism (Art) _zIndia. |
|
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
||
942 | _cS |